The distinction of Javier Sierra, in the Diario de Teruel

The cover of the Diario de Teruel of November 12, 2019, echoes the news of the recognition of the Turolense Javier Sierra as Honorary Member of the Spanish Association of Painters and Sculptors.

Inside, the news expands and we discover how everything related to the writer is reported in his hometown, the most prominent example of a “prophet in his land,” who recently also received the distinction of Teruel’s Favorite Son, which has a park near the neighborhood where he lived that now bears his name, and that houses the legacy of Javier Sierra in the Public Library of Teruel, which since September, was officially renamed the State Public Library in Teruel Javier Sierra.

As we can see, any news related to one of his most illustrious “children” interests and even more so when it comes to a distinction such as that of Honor Partner, going to swell the list of names among which kings appear, such as Alfonso XIII or the Queen María Cristina, to patrons like the Duke of Alba or the Marquis of Aledo, personalities from the world of culture as writers, composers, art critics and gallery owners such as José Francés or Antonio Cobos and artists such as Eugenio Hermoso, Benedito, Vázquez Díaz. ….

 

Javier Sierra, Honorary Partner of the AEPE

The journalist, bestselling author and Javier Planeta Novel Award, regular collaborator of the AEPE, received last November 7, 2019, the title of Honorary Member of the Spanish Association of Painters and Sculptors, in the framework of the inauguration of the 86th Autumn Salon organized by this centennial entity, the oldest and most prestigious artistic contest of all those that are convened in Spain.

The event, which took place in the Casa de Vacas of Madrid’s Buen Retiro Park, was attended by many artistic personalities, such as the Minister of Culture and Tourism of the Community of Madrid, Marta Rivera de la Cruz, the President of the Spanish Association of Painters and Sculptors, José Gabriel Astudillo, accompanied by its Board of Directors, members of the Jury such as Mª Dolores Barreda Pérez, General Secretary of the AEPE and artists such as Eduardo Naranjo, Alejandro Aguilar Soria, Ricardo Sanz, Paula Varona, José Vicente Moreno Huart, Tomás Paredes … municipal authorities and the general public.

The award was presented by the Secretary General of the AEPE, Mª Dolores Barreda Pérez, who proceeded to read the minutes in which it is stated that:

“The Board of Directors of the Spanish Association of Painters and Sculptors, meeting in ordinary session on June 18, 2019, has unanimously agreed to grant the title of SOCIO DE HONOR to Javier Sierra, whose collaboration and close friendship with the Spanish Association of Painters and Sculptors is becoming stronger and more committed.

“Journalist and writer, whose human profile surpasses the professional; man of integrity, simple, human, helpful, humble, attentive, whose smile triggers unusual diplomacies, and who like himself likes to describe himself, has the job of curious.

In recognition of his friendship and exemplarity, his enormous prestige and for having contributed in a relevant way to the significance of our entity, appreciating the activities that the association promotes and responding to the foundational objectives of fostering relations between the art world and the creation.

As a sign of our gratitude for their continued support, accompaniment and complicity in the work of this Spanish Association of Painters and Sculptors, and in recognition of their trajectory in the field of research and dissemination of art, highlighting the contribution that with their works He has managed to bring the world of art closer to millions of readers around the world.

To all the artists, he has also seduced us in a game of intrigues and mysteries of which he is a master, but above all, he has launched a special invitation to the world to visit one of the best art galleries such as the Prado Museum, with which he is Spanish Association of Painters and Sculptors has always kept a close relationship, since some of its Presidents were also directors of it.

That millions of people discover through their pen wonderful works of art under a new vision, it is the great legacy that we thank today through this appointment that prides not only our entity, our Partners and friends, but artists all over the world. world.

It is in this way that we would like to thank you for pushing us to find the soul of each artist through his works and making art a window to the invisible, to the truly valuable that the human being harbors.

For all this, we are pleased to name Javier Sierra, Honorary Member of the Spanish Association of Painters and Sculptors. ”

Afterwards, Javier Sierra collected from the hands of José Gabriel Astudillo, President of the AEPE, the accrediting diploma and a plaque, while the applause of an enthusiastic audience resonated and who has valued the work that a writer of his prestige and what this means worldwide.

For his part, Javier Sierra recalled the occasions in which he has collaborated directly with the centenary entity and especially appreciated the effort he makes to continue supporting the world of creation in Spain with such an important and impressive background.

His special collaboration with the Spanish Association of Painters and Sculptors began in 2014, when at the headquarters of the centennial entity, he presented for the first time to a specialized audience, composed of painters, restorers, art critics and artists in general, the novel The Master of the Prado.

As Javier Sierra himself said at the time, it was the first time since the novel was published, which was aimed especially at an audience consisting mainly of painters, that is, those who tell the stories he has told with his canvases wanted to unravel in his book, making them notice the importance of how much they paint for all those who observe his works.

In the month of June 2014, the AEPE held an end of course party, a special day of open doors attended by the students of the Portrait Workshop, friends, partners and artists who wanted to make a great session in which they painted who wanted to pose for the occasion, and in which we had an exceptional model such as the well-known writer and journalist Javier Sierra, who maintains a close relationship with the Spanish Association of Painters and Sculptors of collaboration and unconditional support.

But there was also another surprise and that is that the television network Telemadrid, wanted to live with us the exciting session and this was reflected in its news of 9, with a report prepared by the journalist Teresa Iborra, who approached all viewers the reality of the portrait in Spain.

There is a circumstance that this was the first time that television entered our headquarters in Infantas Street. It is true that many other events organized by the Spanish Association of Painters and Sculptors have already been on television, but this was the first time that our headquarters did.

Javier Sierra, who was delighted to pose for such a varied turnout, delighted those gathered there and was, as usual, attentive, kind, solicitous and patient, declaring to feel “very honored” to make an impromptu model .

In September of that same year, Javier Sierra surprised us by mentioning the centennial Spanish Association of Painters and Sculptors in the book that had just seen the light “The Immortal Pyramid”, the last book by Javier Sierra in which Napoléon faces one of man’s greatest desires: eternal life. In 2002 Sierra published “Napoleon’s Egyptian Secret”, but this time it was a complete, improved review of a rewrite of that adventure, with a better plot and new characters.

The generosity of its author towards our entity, led him to include the full name of the Spanish Association of Painters and Sculptors in the Acknowledgments section, where José Gabriel Astudillo and Mª Dolores Barreda are mentioned as President and Secretary General respectively. As the author told us, he could have mentioned them individually and privately, but he preferred to give back part of the love he has always received from artists and partners.

Javier Sierra counted for the edition of this book with the special collaboration of José Gabriel Astudillo, who made four drawings of some bas-reliefs, which is why it also appears in the first pages of it.

Already in March 2015, Javier Sierra did not hesitate to accept the invitation of the AEPE to be part of the Jury of the 50th Reina Sofía Prize for Painting and Sculpture, repeating his collaboration in the editions of the 51, 52, 53 and 54 Reina Sofía Prize.

Javier Sierra (Teruel, 1971) is not only one of the most translated fiction authors of recent times – around a quarantine of languages ​​- but he is the only Spanish writer who has managed to climb the bestseller list of The New York Times He entered the coveted top ten in 2006 with The Secret Dinner.

Expert of the historical enigma thriller and author of a dozen books between novels and essays, Sierra has more than a decade proving his radio and television communicator skills, as a Tertullian, regular collaborator or even director of several programs for the little girl screen, always around the mystery and the past. Among his works, in addition to the aforementioned bestseller, The Secret Dinner (2004), the novels The Master of the Prado (2013) and The Immortal Pyramid (2014), without neglecting his essay production with great acceptance by the public with titles such as La forbidden route and other enigmas of History (2007) and In Search of the Golden Age (2000).

Javier Sierra may well boast of being “a prophet in his land”, since last year he received the title of Favorite Son of Teruel, and this year a park was inaugurated in his honor in the city of Teruel, in the neighborhood of El Carrel in which the writer lived between 1978 and 1985, and as a brilliant climax, since September 2019, the public library of the city of Teruel is called the State Public Library in Teruel Javier Sierra.

With the delivery of this distinction, the AEPE wants to recognize its special involvement with an artistic institution very honored to have friends and collaborators who value the work that involves having captained the artistic work of twentieth-century Spain and have managed to get renewed and current to the 21st century.

Javier Sierra, regular collaborator of AEPE, winner of the Planet Award

The best selling author Javier Sierra rose yesterday with the LXVI Planet Prize novel with the manuscript of The Invisible Fire, presented with the provisional title of The Artificial Mountain under the pseudonym of Victoria Goodman. “I want to dedicate this novel to fellow writers,” he said excitedly for the “impressive moment” because “it is the word where lies the creative force of our civilization.” “It is in the use of the word where is the origin of goodness and evil, that is the invisible fire that we all have in our interior,” explained the author in relation to his novel. Specifically, the plot points to the origin of a word “that changed the fate of Europe in the twelfth century”: “That word is Grail.”

 

His special collaboration with the Spanish Association of Painters and Sculptors began in 2014, when at the headquarters of the centenary entity, presented for the first time to a specialized audience, composed of painters, restorers, art critics and artists in general, the novel The Master of the Prado.

As Javier Sierra himself said, it was the first time since the publication of the novel, which was directed especially at an audience consisting mainly of painters, that is, those who narrate with their canvases the stories he wanted to unravel in his book, noting the importance of how much they paint for all those who observe his works.

The public, who was enthusiastic about the direct, clear and simple way with which he showed the subject, was receptive until the last moment of the talk, opening after a turn of questions that was very lively and in which Javier Sierra answered to curious questions and qualified many affirmations.

In a lively conversation, and before the session was adjourned, the President of the Spanish Association of Painters and Sculptors, José Gabriel Astudillo, presented him with an engraving that reproduces the cover of the Gazette of Fine Arts, elaborated by the Engraving Department of the entity, as well as an AEPE Medal, which Javier Sierra thanked affectionately.

Soon after, he signed very artistically in the Book of Honor of the Spanish Association of Painters and Sculptors, and received a note of his portrait, elaborated by the students of the Portrait Workshop that took place in the headquarters of the entity.

Javier Sierra took a lot of interest in this meeting, proof of it is that he reflected on his twitter before and after the event, and also on his facebook.

Following this visit to the headquarters, the Gazette of Fine Arts of May 2014 published an exclusive interview conducted by the General Secretary of the AEPE, Mª Dolores Barreda Pérez, which can be seen in this same web tab ” News and publications “, sub-tab” Interviews and reports “.

In June 2014, the AEPE held an end-of-course party, a special day of open doors, which was attended by many members and friends and in which the President of the Spanish Association of Painters and Sculptors, José Gabriel Astudillo López, wanted to personally thank each of the attendees for his involvement with our entity.

For this end-of-course party, students from the Portraits Workshop, friends, partners and artists who wanted to hold a great session in which they painted those who wanted to pose for the occasion, and in which we had a model of exception as was the known writer and journalist Javier Sierra, who maintains a close relationship with the Spanish Association of Painters and Sculptors of collaboration and unconditional support.

But there was also another surprise is that the television network Telemadrid, wanted to live with us the exciting session and so expressed in its television news of 9, with a report by the journalist Teresa Iborra, which brought all viewers to reality of the portrait in Spain.

It is the fact that this has been the first time that television has entered our headquarters on Calle Infantas. It is true that some events organized by the Spanish Association of Painters and Sculptors have already been on television, but this was the first time our headquarters did.

Javier Sierra, who was delighted to pose for such a varied crowd, delighted those gathered there and was, as usual, attentive, kind, solicitous and patient, declaring himself “very honored” to act as an improvised model .

In September of that same year, Javier Sierra surprised us by mentioning the centenary Spanish Association of Painters and Sculptors in the book that had just seen the light “The Immortal Pyramid”, Javier Sierra’s last book in which Napoléon faces one of man’s greatest desires: eternal life. In 2002 Sierra published “The Egyptian Secret of Napoleon”, but this time it was a complete, improved, rewrite of that adventure, with a better plot and new characters.

The author’s generosity towards our organization led him to include the complete name of the Spanish Association of Painters and Sculptors in the section of Acknowledgments, where mentioned José Gabriel Astudillo and Mª Dolores Barreda as President and General Secretary respectively. As the author told us, he could have mentioned them individually and privately, but he preferred to give back part of the love that he has always received from the artists and partners.

Javier Sierra counted for the edition of this book with the special collaboration of Jose Gabriel Astudillo, who made four drawings of bas-reliefs, reason for which also appears in the first pages of the same one.

Already in March 2015, Javier Sierra did not hesitate to accept the invitation of the AEPE to form part of the Jury of the 50 Reina Sofía Prize for Painting and Sculpture, repeating his collaboration in the editions of the 51 and 52 Reina Sofia Prize.

Javier Sierra (Teruel, 1971) is not only one of the most translated fiction authors of recent times – around a quarter of languages ​​- but is the only Spanish writer who has managed to climb the list of best-selling The New York Times. He entered the longed-for top ten in 2006 with The Secret Dinner.

 

Expert of the thriller of historical enigma and author of a ten of books between novel and essay, Sierra has more than a decade demonstrated more than his abilities of communicator in radio and television, like tertuliano, habitual collaborator or even director of several programs for the small screen, always around the mystery and the past. Among his works, the best-selling novel, The Secret Dinner (2004), the novels El Maestro del Prado (2013) and The Immortal Pyramid (2014) stand out, in order not to expose his essayistic production, such as The Forbidden Route and Other Enigmas of History (2007) and In Search of the Golden Age (2000).

Javier Sierra returns to its purest substance and to which most literary party has taken it because The invisible fire deals with the theme par excellence of the novels of the genre: the mystery of the Holy Grail. A young professor, based in Dublin, of Spanish origin and grandson of a famous writer, travels for a few days to Madrid to participate in a strange study group that is dedicated to follow the trail of the famous Christian relic in literature and the art. And what looks like mere scientific research will soon turn into something else, after the murder of one of the researchers. Following the dangerous track of the coveted Grail, the plot unfolds, as is usual in the author, much historical erudition and a great palette of cultural references, across multiple Spanish stages.