Maxam presented the 2020 calendar, the work of Chema Cobo

The MAXAM Foundation presented on November 20 the Exhibition “If It Happens To Be”, a sample in which to present the work of Chema Cobo, which illustrates the MAXAM Calendar of 2020.

The Maxam Foundation carried out the presentation at the Carlos de Antwerp Foundation, located on Calle Claudio Coello, 99, in which the President of the Maxam Foundation, José Fernando Sánchez Junco, thanked the work of the Spanish Association of Painters and Sculptors are performing in the dissemination of art and culture, and as official sponsors of the Autumn Salon organized by the centennial entity.

De izquierda a derecha: Carmen Bonilla Carrasco, Fernanda Cardama, José Gabriel Astudillo, el Presidente de la Fundación Maxam, José Fernando Sánchez Junco, Alicia Sánchez Carmona, Paloma Casado, Antonio Téllez y Fernando de Marta

The inauguration ceremony was attended by the President of the Spanish Association of Painters and Sculptors, José Gabriel Astudillo, accompanied by the vast majority of members of its Board of Directors, such as Mª Dolores Barreda Pérez, General Secretary, the Vocals Antonio Téllez de Peralta, Paloma Married López, Carmen Bonilla Carrasco, Fernando de Marta and Itziar Zabalza Murillo.

“MAXAM Foundation arises from our company’s commitment to social progress through the promotion of culture and education. The exhibition that we are opening today joins other artistic dissemination initiatives such as those already carried out in countries such as Spain, the United States and Panama, among others, ”explains Fernanda Cardama, Patron of the MAXAM Foundation and the Global Head People & Resources of the company.

If it happens to be, made expressly by Chema Cobo to illustrate the MAXAM 2020 Calendar, part of such an exciting theme in art history as is the one in the painting, explains Lucas Ferreira, Deputy Director of the MAXAM Foundation and curator of the exhibition. Under this baroque term, the author gives title to an image of images, to a narration with plots as different as the history of painting, the creative process, the popular symbology of the Spain of the 50s and 60s or the works that preceded in the MAXAM Collection.

Chema Cobo was born in 1952 in Tarifa (Cádiz), where his father worked as a doctor. He has lived in Tarifa, Ronda, Cádiz, Seville, Madrid, New York, Chicago, Brussels and long seasons in Rome and currently lives in Alhaurín el Grande (Málaga). He studied Philosophy at the Autonomous University of Madrid between 1970 and 1974. One of the components of the artistic group was the New Madrid figuration, a group of acidic and ironic artists who opened new avenues during the transition. His first individual exhibition was held in Madrid in 1974, at the Buades Gallery. In 1994 he was awarded the Andalusia Prize for Plastic Arts.

In 1981, he was a resident artist at P.S.1 in New York and participated in the 16th Sao Paulo Biennial at the Salon de los 16 at the Museum of Contemporary Art in Madrid.

In 1982, he participated in the Carnegie International of Pittsburgh.

In 1983 he was invited to several exhibitions in Europe and the United States; One of them was the “Recent European paintings” exhibition at Salomom R. Guggenheim in New York. The same year he exhibits at the Zolla Lieberman Gallery in Chicago.

The eighties continue with a series of individual exhibitions in Seattle, Boston, Milan, Rome, Madrid, Bern and Nagoya (Japan).

It is worth noting the exhibition held in “The mezzanine Gallery” of the Metropolitan Museum of Art in New York in 1987 and the individual exhibition in the Charles Cowles Gallery in New York in 1988. The same year he also participated in the exhibition “Art Kites” organized by the Goethe Institute in Osaka. This same exhibition continued traveling through Japan, the United States and Europe until 1992.

The 1990s began with an exhibition at AC&T in Tokyo and several exhibitions between the United States and Spain. He was a visiting professor at the NY Art School in New York, at Northwestern University in Chicago and at the School of Art of the Art Institute in Chicago.

In 1994 he was awarded the Andalusia Prize for Plastic Arts and publishes the book of aphorisms entitled “Amnesia” on the occasion of the exhibition of the same name in La Linea de la Concepción (Cádiz).

In 1995 he exhibited in Brussels at the Gallery “20m2 d’Art Contemporain”.

In 1998, the exhibition “The Labyrinth of the Compass” was held at the Andalusian Center for Contemporary Art in Seville, which collected works from all periods of his work and works never exhibited to date in Spain. The second installment of the book of aphorisms “Amnesia” is published.

In 2001 the exhibition “Salta a la Vista” in the Provincial Palace of the Diputación de Cádiz covers all his work on paper from 1974 to 2000.

Recently he has exhibited in Valencia (Tomas March Gallery), Santander (Siboney Gallery), Barcelona (M. Marcos Gallery), Malaga (A. Viñas Gallery), Madrid (A. Machón Gallery) and the Duques de Soria Foundation (Soria) .

In October 2008, he opened the “Eclipse” exhibition at the A. Machon Gallery in Madrid, an exhibition for which he won the “Francisco de Goya” Painting Prize of the Villa de Madrid, 2009.

In the 2009-2010 season he exhibited at the Center for Contemporary Art in Malaga a sample of 33 recent works entitled “Out of Frame”.

He has works in many collections in Europe and the United States among others at the Kunstmuseum in Bern, at the Nazionale d’Arte Contemporaneo Gallery in Rome, at the Fundazione Lucio Amelio in Naples, at the Metropolitan Museum of Art in New York, at the Museum of Art in New York, at the Frederick Weisman Collection in Los Angeles, at the Museum of Contemporary Art in Chicago, not forgetting Spanish collections such as the Caixa de Pensiones Foundation in Barcelona, ​​the Cajasol collection in Seville, the Caja Madrid Foundation, the Reina Sofía National Art Museum in Madrid, the Andalusian Center for Contemporary Art in Seville and the Center for Contemporary Art in Malaga, to name just a few of them.

 

Summoned the 55th Reina Sofía Prize for Painting and Sculpture 2020

Last year it was the Sevillian painter Jorge Gallego García who received this prestigious award for an oil entitled “Empty”

The Spanish Association of Painters and Sculptors, in collaboration with Google, summons the 55th Reina Sofía Prize for Painting and Sculpture 2020, an award that for the first time opens to the participation of any artist in the world in these two disciplines.
This international award is the only one of these characteristics that is awarded in the world and has already become an indisputable reference in the field of plastic arts.
The winners in previous editions were the prestigious painters Jorge Gallego or Juan José Vicente and the sculptors Coderch & Malavia or Pedro Quesada.
The 55th Reina Sofía Prize for Painting and Sculpture is managed by the Spanish Association of Painters and Sculptors and counts for its development with the invaluable support of Google. The deadline for submission of works is closed on February 7, 2020.
The jury’s decision and the award ceremony will take place at a gala chaired by S.M. Queen Doña Sofía in March, coinciding with the exhibition of the works selected for the occasion, which will take place in Madrid’s Casa de Vacas del Parque del Retiro.
The Jury, chaired by the President of the Spanish Association of Painters and Sculptors, José Gabriel Astudillo and whose secretary is Mª Dolores Barreda Pérez, General Secretary of the AEPE, brings together prominent members of the academic, cultural and artistic world as the journalist Javier Sierra, the painter Eduardo Naranjo and other artists such as Alejandro Aguilar Soria, author of the visual image of the Prize.

Bases 55 PREMIO REINA SOFÍA DE PINTURA Y ESCULTURA

 

BOLETIN DE INSCRIPCION 55 PREMIO REINA SOFIA DE PINTURA Y ESCULTURA 2020

 

Mª Dolores Cid narrowed us to Marcelina Poncela, founding partner of the AEPE

On Friday, November 15, the Spanish Association of Painters and Sculptors lived a special day in which, thanks to Professor Mª Dolores Cid Pérez, we were able to learn more about the Founding Partner No. 29 of our centenary institution.

After a brief presentation by the President of the AEPE, José Gabriel Astudillo, in which he thanked the author of the study for the magnificent painter, was the Secretary General, Mª Dolores Barreda Pérez, in charge of introducing the attendees in the relationship Marcelina Poncela with the AEPE, through her teachers and numerous friends, most of them also founding partners of the entity.

The General Secretary commented that as it happens in all the biographies of artists of the nineteenth and twentieth century, in no text, doctoral thesis or book usually appears their relationship with this house, which makes us learn that for something to be known, you must Be first studied and then offered to the public. In addition, he commented how the President has tried to strengthen this fact through our Bernardino de Pantorba Historical Archive, and specifically also with the creation of the MARCELINA PONCELA DE JARDIEL PAINTING MEDAL created in 2017.

He also added that it is the intention of the AEPE to request that the Madrid memory plan keep it in mind, by installing a plaque on the street where he lived.

As a curiosity in the afternoon, the presentation was attended by two grandchildren of the famous son of the painter, Enrique Jardiel Poncela, who attended the interesting talk thanking the memory for his great grandmother.

Mª Dolores Barreda Pérez highlighted several facts of the biography of the artist, as she met her husband when she lived in the Costanilla of San Pedro, next to the Church of San Pedro el Viejo, where Jesus the Poor is venerated, image of the that she too is devoted.

He highlighted the fate of his son Enrique, who was called “Potito” by his mother, who said that at seven he used to visit the Prado Museum in the company of his mother and, at nine he used to accompany his father to the press platform of the Congress of Deputies, where he witnessed numerous political debates. The tendency to draw appeared in Enrique before writing.

He stressed that Marcelina Poncela was a student of Alejandro Ferrant Fishermans, one of our founding partners, along with her son, the sculptor Ángel Ferrant y Vázquez, also a founding partner of the AEPE. And that he was assiduous to the Circle of Fine Arts, founded among others by Marceliano Santamaría, who was President of the Association of Painters and Sculptors elected on January 24, 1936, and resigned after being appointed President of the Circle of Fine Arts that same year . There, he related to other partners and founders of our institution, such as Sorolla, Aureliano de Beruete, Cecilio Plá, Lhardy Garrigues, Luis García Sampedro, Fernanda Francés, Zuloaga, Aniceto Marinas, …

It was definitely related, with almost all the plastic artists of the moment, both personally and artistically, since they coincided in the Circle of Fine Arts as students and subsequently attended almost all the National Exhibitions.

Professor Mª Dolores Cid Pérez delved us into her biography, making a special review of her academic training, which was very complete: good technique for the preparatory drawing of her paintings. Always drawing in pencil and charcoal, which he later transferred to oil. I drew on small and large format; in this case it was finished works, not simple notes, which was destined for competitions. He used the technique of albayalde and also used the counted pencil, very popular in the nineteenth century. He also drew pen, with great quality and deserved first class awards, and also used pastel painting but this technique is fragile and difficult to preserve so there are hardly a couple of known specimens. She was a great watercolorist, she used all these techniques well, but what she really felt comfortable with was oil painting.

In addition to the still lifes, the flowers, the landscapes, the customary scenes, Marcelina took care of the portrait both in pencil and in oil. Sometimes these portraits were based on the existence of a photograph, a very common practice at the end of the nineteenth century as many artists took advantage of this opportunity to make portraits of difficult-to-access portraits of characters but that their photographs could be found with some ease.

 

The distinction of Javier Sierra, in the Diario de Teruel

The cover of the Diario de Teruel of November 12, 2019, echoes the news of the recognition of the Turolense Javier Sierra as Honorary Member of the Spanish Association of Painters and Sculptors.

Inside, the news expands and we discover how everything related to the writer is reported in his hometown, the most prominent example of a “prophet in his land,” who recently also received the distinction of Teruel’s Favorite Son, which has a park near the neighborhood where he lived that now bears his name, and that houses the legacy of Javier Sierra in the Public Library of Teruel, which since September, was officially renamed the State Public Library in Teruel Javier Sierra.

As we can see, any news related to one of his most illustrious “children” interests and even more so when it comes to a distinction such as that of Honor Partner, going to swell the list of names among which kings appear, such as Alfonso XIII or the Queen María Cristina, to patrons like the Duke of Alba or the Marquis of Aledo, personalities from the world of culture as writers, composers, art critics and gallery owners such as José Francés or Antonio Cobos and artists such as Eugenio Hermoso, Benedito, Vázquez Díaz. ….

 

The AEPE once again went to the International Radio program «For love of art»

On Saturday, November 9, at 9 p.m. the International Radio program (92.9 of the FM) was broadcast, which under the direction of María José Bró, featured the Spanish Association of Painters and Sculptors and the 86 Autumn Salon.

“For the love of art” is the only radio space dedicated to the world of art and painting in the current Spanish dial, and in each new weekly event, analyze, discover and complete all artistic news through talks and gatherings such as the one That day was celebrated.

The program was attended by the President of the Spanish Association of Painters and Sculptors, José Gabriel Astudillo, accompanied by the Secretary General, Mª Dolores Barreda Pérez and also, the journalist wanted to have the participation of the artist Damián Retamar, who is touring Extremadura and the dos Castillas the exhibition “Fragile”.

The entertaining talk focused on the centennial institution and the history of the Autumn Hall, with special emphasis on the operation of the AEPE, its work before society and, above all, the vision of art and education in the 21st century

The program’s podcasts are available on the Internet, on the International Radio website.

http://www.radiointernacional.es/podcast-a-la-carta/

Presentation of the book: “Fighting against the wind: Marcelina Poncela (1864-1917)”, by Mª Dolores Cid

Friday, November 15, 2019, 7 p.m. AEPE Assembly Hall

Free entry until complete seats

 

Next Friday, November 15, at 7 p.m. The presentation of the book entitled “Fighting the wind: Marcelina Poncela (1864-1917)”, by Mª Dolores Cid Pérez, will take place in the Assembly Hall of the Spanish headquarters of the Spanish Association of Painters and Sculptors.

The thesis that under that title has been embodied in a book by the historian Mª Dolores Cid, recovers the Valladolid painter who was one of the founding members of the Spanish Association of Painters and Sculptors.

The book was officially presented on March 7 at the City Hall of Valladolid, while an exhibition of some works by the painter was inaugurated at the Museum of the University of Valladolid.

The author dedicates the first one to capture, in a detailed and documented way, the biography of this painter from Valladolid, her education and training first in Valladolid, where she was a disciple of José Martí y Monsó, director of the School of the Academy of Fine Arts, and later in Madrid; the exhibitions in which he participated, his marriage to Enrique Jardiel Agustín, fruit of which was born, among others, the playwright Enrique Jardiel Poncela.

The second part includes his artistic activity, his production and the various genres that he cultivated

 

 

Presentation of the book

“Fighting against the wind: Marcelina Poncela (1864-1917)”

From Mª Dolores Cid Pérez

Friday, November 15, 2019

AEPE Headquarters

Infantas Street, 30, 2nd right

28004 Madrid

L to V: from 10 a.m. to 2 p.m. and from 17 to 20 h.

Metro: Chueca, Sevilla, Bank of Spain (lines 1 and 5)

Bus: 146, 2, 34

Mª Dolores Barreda Pérez, Perpetual Secretary of the AEPE

Mª Dolores Barreda Pérez received on November 7, 2019 an unexpected surprise when, in the framework of the jury’s decision, awards ceremony and inauguration of the 86th Autumn Salon of the Spanish Association of Painters and Sculptors, the most artistic event Ancient and prestigious of all those summoned in Spain, he received the title of “Perpetual Secretary” of the centenary entity.
N the event, which took place in the Casa de Vacas of Madrid’s Buen Retiro Park, was attended by a multitude of artistic personalities, such as the Minister of Culture and Tourism of the Community of Madrid, Marta Rivera de la Cruz, guy and mengano, the President of the Spanish Association of Painters and Sculptors, José Gabriel Astudillo, accompanied by his entire Board of Directors and artists such as Eduardo Naranjo, Alejandro Aguilar Soria, Ricardo Sanz, Paula Varona, the dean of the Art Critics, Tomás Paredes. .. municipal authorities and the general public.
Just when the title of “AEPE Honorary Member” had already been delivered to the journalist and writer Javier Sierra, and before the Secretary General herself proceeded to read the minutes of the Jury of the 86th Autumn Room, the President of the Spanish Association of Painters and Sculptors, José Gabriel Astudillo, skipping the established protocol, took the floor to read an Addendum to the Minutes of the meeting of the Board of Directors on June 18, 2019, in which it is explained that taking advantage of an absence of Secretary General of the entity, Mª Dolores Barreda Pérez, responsible for raising the official minutes of the session, and with the unanimity of the members of the Board, it was agreed to “distinguish Mª Dolores Barreda Pérez with the title of SECRETARY PERPETUAL OF THE ASSOCIATION SPANISH PAINTS AND SCULPTORS, in recognition of their excellent and unparalleled work and dedication to the entity.


We believe that it is fair to recognize the work of those people who are exceptional and essential in the art world, people who make real the saying that success always precedes work.
All the partners enjoy that success thanks to the attitude and work of those who make us bigger every day as an institution and ensure that day by day is attended not only diligently, but correctly and in a gratifying way. That is why this institution is better every day and provides an image of seriousness and prestige that, as I said, benefits everyone.
Placing a centennial entity of the first order in the 21st century has been an important challenge that our Secretary General has amply achieved in a work model that not only is the most successful, but that more than meets and exceeds the expectations generated in this regard. .
Modernization, transparency and attention and closeness to the needs of the associates have been an unwritten rule with which it has managed to awaken the spirit of our entity and thus contribute to the Spanish Association of Painters and Sculptors has developed as a diversified institution and open to the outside, until it becomes a modern and prosperous reality.
But in addition, preserving the history and heritage of the entity has been a priority in the work of Mª Dolores Barreda Pérez, who is carrying out through the Historical Archive “Bernardino de Pantorba”, a project that has crossed borders and makes us captain the research work on the history of art in Spain in the 20th century.
Its involvement is also leading us to recover the memory of the first artists of the Spanish Association of Painters and Sculptors and to be present, in this way, in the most important cultural events celebrated in Spain for this reason.
In the Spanish Association of Painters and Sculptors we have the honor of having magnificent artists, with exemplary people who have achieved success with a lot of work, dedication and talent.
And one of them is Mª Dolores Barreda Pérez, journalist, Director of the Gazette of Fine Arts, researcher, art historian, member of the Spanish Association of Art Critics but, above all, a magnificent person of overwhelming personality, who is of justice recognize and applaud his special dedication and dedication, his good work, full of commitment and honesty, his charisma, authenticity and talent.
The Spanish Association of Painters and Sculptors is increasingly prestigious and great because it knows how to recognize those who have a special talent and feel committed to making their work an engine for the expansion of that talent.

That is why Mª Dolores Barreda Pérez is a good portrait of the entity we want, with values ​​and that values ​​work, the desire to improve and the shared effort. It is the portrait of those people who fight every day for art, for artists, for culture and who do it also, investing a time, effort and a totally altruistic will and that must be recognized,
An entity is worthy of admiration when its members are too and when it treats those admirable people as they deserve. That is why we have the obligation to recognize this merit and in this way the Board of Directors of the Spanish Association of Painters and Sculptors wants to do it on behalf of all its partners, because making our entity better is a matter for everyone. Only in this way do we achieve that the best years of the artistic history of Spain are those that lie ahead, those that remain to be lived and those that remain to be written.
And so we signed in Madrid, on June 18, 2019, the rest of the members of the Board of Directors of the Spanish Association of Painters and Sculptors, keeping this resolution secret until the delivery of the distinction, which will take place within the framework of the Opening ceremony of the 86th Autumn Salon held at the Casa de Vacas of Madrid’s Parque del Retiro on November 7, 2019 ”.
Excited and visibly surprised, Mª Dolores Barreda Pérez picked up a plaque from the President and with the emotion of the moment, she was only able to thank everyone for the immense honor that the appointment entails, since in the entire history of the centenary entity, only There has been a Perpetual Secretary whose memory draws on countless historical accounts of the AEPE.

Javier Sierra, Honorary Partner of the AEPE

The journalist, bestselling author and Javier Planeta Novel Award, regular collaborator of the AEPE, received last November 7, 2019, the title of Honorary Member of the Spanish Association of Painters and Sculptors, in the framework of the inauguration of the 86th Autumn Salon organized by this centennial entity, the oldest and most prestigious artistic contest of all those that are convened in Spain.

The event, which took place in the Casa de Vacas of Madrid’s Buen Retiro Park, was attended by many artistic personalities, such as the Minister of Culture and Tourism of the Community of Madrid, Marta Rivera de la Cruz, the President of the Spanish Association of Painters and Sculptors, José Gabriel Astudillo, accompanied by its Board of Directors, members of the Jury such as Mª Dolores Barreda Pérez, General Secretary of the AEPE and artists such as Eduardo Naranjo, Alejandro Aguilar Soria, Ricardo Sanz, Paula Varona, José Vicente Moreno Huart, Tomás Paredes … municipal authorities and the general public.

The award was presented by the Secretary General of the AEPE, Mª Dolores Barreda Pérez, who proceeded to read the minutes in which it is stated that:

“The Board of Directors of the Spanish Association of Painters and Sculptors, meeting in ordinary session on June 18, 2019, has unanimously agreed to grant the title of SOCIO DE HONOR to Javier Sierra, whose collaboration and close friendship with the Spanish Association of Painters and Sculptors is becoming stronger and more committed.

“Journalist and writer, whose human profile surpasses the professional; man of integrity, simple, human, helpful, humble, attentive, whose smile triggers unusual diplomacies, and who like himself likes to describe himself, has the job of curious.

In recognition of his friendship and exemplarity, his enormous prestige and for having contributed in a relevant way to the significance of our entity, appreciating the activities that the association promotes and responding to the foundational objectives of fostering relations between the art world and the creation.

As a sign of our gratitude for their continued support, accompaniment and complicity in the work of this Spanish Association of Painters and Sculptors, and in recognition of their trajectory in the field of research and dissemination of art, highlighting the contribution that with their works He has managed to bring the world of art closer to millions of readers around the world.

To all the artists, he has also seduced us in a game of intrigues and mysteries of which he is a master, but above all, he has launched a special invitation to the world to visit one of the best art galleries such as the Prado Museum, with which he is Spanish Association of Painters and Sculptors has always kept a close relationship, since some of its Presidents were also directors of it.

That millions of people discover through their pen wonderful works of art under a new vision, it is the great legacy that we thank today through this appointment that prides not only our entity, our Partners and friends, but artists all over the world. world.

It is in this way that we would like to thank you for pushing us to find the soul of each artist through his works and making art a window to the invisible, to the truly valuable that the human being harbors.

For all this, we are pleased to name Javier Sierra, Honorary Member of the Spanish Association of Painters and Sculptors. ”

Afterwards, Javier Sierra collected from the hands of José Gabriel Astudillo, President of the AEPE, the accrediting diploma and a plaque, while the applause of an enthusiastic audience resonated and who has valued the work that a writer of his prestige and what this means worldwide.

For his part, Javier Sierra recalled the occasions in which he has collaborated directly with the centenary entity and especially appreciated the effort he makes to continue supporting the world of creation in Spain with such an important and impressive background.

His special collaboration with the Spanish Association of Painters and Sculptors began in 2014, when at the headquarters of the centennial entity, he presented for the first time to a specialized audience, composed of painters, restorers, art critics and artists in general, the novel The Master of the Prado.

As Javier Sierra himself said at the time, it was the first time since the novel was published, which was aimed especially at an audience consisting mainly of painters, that is, those who tell the stories he has told with his canvases wanted to unravel in his book, making them notice the importance of how much they paint for all those who observe his works.

In the month of June 2014, the AEPE held an end of course party, a special day of open doors attended by the students of the Portrait Workshop, friends, partners and artists who wanted to make a great session in which they painted who wanted to pose for the occasion, and in which we had an exceptional model such as the well-known writer and journalist Javier Sierra, who maintains a close relationship with the Spanish Association of Painters and Sculptors of collaboration and unconditional support.

But there was also another surprise and that is that the television network Telemadrid, wanted to live with us the exciting session and this was reflected in its news of 9, with a report prepared by the journalist Teresa Iborra, who approached all viewers the reality of the portrait in Spain.

There is a circumstance that this was the first time that television entered our headquarters in Infantas Street. It is true that many other events organized by the Spanish Association of Painters and Sculptors have already been on television, but this was the first time that our headquarters did.

Javier Sierra, who was delighted to pose for such a varied turnout, delighted those gathered there and was, as usual, attentive, kind, solicitous and patient, declaring to feel “very honored” to make an impromptu model .

In September of that same year, Javier Sierra surprised us by mentioning the centennial Spanish Association of Painters and Sculptors in the book that had just seen the light “The Immortal Pyramid”, the last book by Javier Sierra in which Napoléon faces one of man’s greatest desires: eternal life. In 2002 Sierra published “Napoleon’s Egyptian Secret”, but this time it was a complete, improved review of a rewrite of that adventure, with a better plot and new characters.

The generosity of its author towards our entity, led him to include the full name of the Spanish Association of Painters and Sculptors in the Acknowledgments section, where José Gabriel Astudillo and Mª Dolores Barreda are mentioned as President and Secretary General respectively. As the author told us, he could have mentioned them individually and privately, but he preferred to give back part of the love he has always received from artists and partners.

Javier Sierra counted for the edition of this book with the special collaboration of José Gabriel Astudillo, who made four drawings of some bas-reliefs, which is why it also appears in the first pages of it.

Already in March 2015, Javier Sierra did not hesitate to accept the invitation of the AEPE to be part of the Jury of the 50th Reina Sofía Prize for Painting and Sculpture, repeating his collaboration in the editions of the 51, 52, 53 and 54 Reina Sofía Prize.

Javier Sierra (Teruel, 1971) is not only one of the most translated fiction authors of recent times – around a quarantine of languages ​​- but he is the only Spanish writer who has managed to climb the bestseller list of The New York Times He entered the coveted top ten in 2006 with The Secret Dinner.

Expert of the historical enigma thriller and author of a dozen books between novels and essays, Sierra has more than a decade proving his radio and television communicator skills, as a Tertullian, regular collaborator or even director of several programs for the little girl screen, always around the mystery and the past. Among his works, in addition to the aforementioned bestseller, The Secret Dinner (2004), the novels The Master of the Prado (2013) and The Immortal Pyramid (2014), without neglecting his essay production with great acceptance by the public with titles such as La forbidden route and other enigmas of History (2007) and In Search of the Golden Age (2000).

Javier Sierra may well boast of being “a prophet in his land”, since last year he received the title of Favorite Son of Teruel, and this year a park was inaugurated in his honor in the city of Teruel, in the neighborhood of El Carrel in which the writer lived between 1978 and 1985, and as a brilliant climax, since September 2019, the public library of the city of Teruel is called the State Public Library in Teruel Javier Sierra.

With the delivery of this distinction, the AEPE wants to recognize its special involvement with an artistic institution very honored to have friends and collaborators who value the work that involves having captained the artistic work of twentieth-century Spain and have managed to get renewed and current to the 21st century.

(Español) Los premios del 86 Salón de Otoño

Minutes of the Jury:

“In Madrid, on October 8, 2019, the Selection and Qualification Jury of the 86th Autumn Salon, organized by the Spanish Association of Painters and Sculptors, was composed of the following members:

President: José Gabriel Astudillo López, President of the Spanish Association of Painters and Sculptors

Secretary: Mª Dolores Barreda Pérez, General Secretary of the Spanish Association of Painters and Sculptors

Both with voice and without vote, and the Vowels:

José Vicente Moreno Huart, Patron of the Maxam Foundation

Eduardo Naranjo, Painter and Engraver

Alejandro Aguilar Soria, Multidisciplinary artist, curator and gallery owner

Paula Varona, painter

Ricardo Sanz, painter

Tomás Paredes, Dean of Art Critics

Mª Dolores Chamero Moyano, Director of the Casa de Vacas,

They agree to award the following awards:

FREE ACCESS AWARDS

AGRUPACIÓN ESPAÑOLA DE ACUARELISTAS AWARD, endowed with plaque and diploma from the AEPE: Magdalena Spain.

SANTIAGO DE SANTIAGO SCULPTURE AWARD, Awarded by the sculptor’s trophy and AEPE diploma: Jordi Mor Fernández.

 

YOUTH TALENT MEETING AWARD, it was deserted

FUNDICION CODINA AWARD, Endowed with a trophy out of its workshops or the foundry of the award-winning work and diploma of the AEPE: Juan Francisco Pérez-Rosas Hidalgo

BALUARTE ROOM AWARDS FROM THE CITY COUNCIL OF THREE CANTOS, to four artists, endowed with a joint exhibition, at the Cultural Center “Adolfo Suárez”, Sala Baluarte de Tres Cantos (Madrid) and AEPE diploma: Mariana Álvarez Enrique, Pura Ramos Calderón, Jorge Cerdá Gironés and Michael de Coca Leicher.

Mariana Álvarez Enrique

Pura Ramos Calderón

Jorge Cerdá Gironés

Michael de Coca Leicher

CITY OF GETAFE AWARD, Endowed with the realization of an individual exhibition, with its corresponding catalog, in the Municipal Exhibition Hall “Lorenzo Vaquero”, in the Old Flour Factory and AEPE diploma: Ana Westley Benson.

TRITOMA CULTURAL MANAGEMENT PRIZE, Equipped with the realization of an individual exhibition, with its corresponding catalog, at the Sanchinarro Cultural Center in Madrid and AEPE diploma: Catalina Orozco de la Torre (Catalina Orart).

For the third consecutive year, the Spanish Association of Painters and Sculptors, in collaboration with the Down Madrid Foundation, also decided to grant the DOWN MADRID PAINTING MEDAL reserved for artists of this group.

The minutes of the Jury are as follows:

In Madrid, on October 7, 2019 at the Tres Olivos Center, the jury for the qualification of the III DOWN MADRID PAINTING MEDAL of the 86th Autumn Salon, made up of the following members:

José Gabriel Astudillo López, President of the Spanish Association of Painters and Sculptors, Ignacio Egea, President of the Down Madrid Board of Trustees, Elena Escalona, ​​General Director of Down Madrid, the painter Ricardo Sanz and the participants in the Down Arts and Culture program, Sonia Garcia and Maria Miracle.

They agree to award the Third Down Madrid Painting Medal of the 86th Autumn Salon: María Llanos Solera.

 

HONORARY PRIZES RESERVED TO AEPE PARTNERS

(EXCEPT MEMBERS OF THE BOARD OF DIRECTORS) endowed with a medal and diploma

ENGRAVING MEDAL JUAN ESPINA Y CAPO: Miguel Llavori Molina

ROBERTO FERNÁNDEZ-BALBUENA DRAWING MEDAL, deserted

JOSE PRADOS LÓPEZ ACUARELA MEDAL: José Valladares Moreno

CARMEN ALCOVERRO AND LOPEZ SCULPTURE MEDAL: Pedro Ania Gérez

MARCELINA PONCELA DE JARDIEL PAINTING MEDAL: Soledad Fernández Ramos

MIGUEL BLAY AND FABREGAS SCULPTURE MEDAL: Jorge Rodríguez Fernández (Jorge Yunta)

CECILIO PLA Y GALLARDO PAINTING MEDAL: Jorge Cerdá Gironés

MARIANO BENLLIURE AND GIL SCULPTURE MEDAL: José Pablo Puente Jerez

JOAQUIN SOROLLA AND BASTIDA PAINTING MEDAL: Ramón Córdoba Calderón

MURATE INURRIA SCULPTURE MEDAL: Carmen García Mesás (Naná Messás)

EDUCARD CHICHARRO PAINTING MEDAL: Manuel Gracia García

The participants in the exhibition of the 86 Autumn Salon are:

MARIANA ÁLVAREZ ENRIQUE – PEDRO ANIA GEREZ – SAMUEL PIRES ANTUNES RODRÍGUES (Samuel Rodrígues) – CONCHI ARTERO GARCIA – JUAN MANUEL BERNARDO – FRANCISCO E. BERTRÁN HERNÁNDEZ – JOAQUIN BESOY POSADA – CARMEN BONILLA CARRASCO – R. PATRICIA BRAVO DIAZ – OLGA CÁCERES – IRENE CANTALEJO MARTIN – MARTINA CANTERO JIMENEZ – JORGE CERDÁ GIRONÉS – RAMÓN CÓRDOBA – LEOVIGILDO CRISTOBAL VALVERDE – MICHAEL DE COCA LEICHER – RICARDO DOMÍNGUEZ CORCUERA (Ricardo Corcuera) – MAGDALENA ESPAÑA LUQUE – JOSE CARMELO ESTEBAN GRACIA (Carmelo Esteban) – ADRIANA EXENI ROYO – GONZALO FERNÁNDEZ ATANCE – ELENA FERNÁNDEZ CAMAZON (Helen Fernández) – SOLEDAD FERNÁNDEZ RAMOS – M. DOLORES FLORES VERDÚ (Flor Verdú) – MARIA ESTHER FLÓREZ FUENTES -MANUEL FOURNIER – FCO. JOSE FRANCO RAMIREZ DE ARRELLANO (Arellano) – Mª HERMINDA GAGO BLANCO – JOSÉ LUIS GARCÍA FINCIAS (Fincias) – CARMEN GARCÍA MESAS (Naná Messás) – JESÚS GÓMEZ DEL PESO (Jesús del Peso) – EVA GONZÁLEZ MORÁN – AGUSTÍN GONZÁLEZ SALVADOR – ARGENTINA GONZÁLEZ TAMAMES – MANUEL GRACIA GARCÍA – DIEGO A. HERNÁNDEZ CUERVO (Diego Hernández) – CATALINA LANZA LÓPEZ (Cati Lanza) – MARÍA LLANOS SOLERA – MIGUEL LLAVORI MOLINA – JAVIER LLEDÓ TIEDRA – MARíA R. MALUENDA GOMEZ – JOSÉ LUIS MOLARES FERNÁNDEZ (José Molares) – JORDI MOR FERNÁNDEZ – JOAQUÍN MORALES MOLERO – TERESA MUÑOZ MATEOS – MALU MUÑOZ RIAZA (Malu Riaza) – CATALINA OROZCO DE LA TORRE (Catalina Orart) – JAVIER ORTAS GONZÁLEZ – FERNANDO PEÑA CORCHADO (Leodegario)  – CASIANO PEREIRO-OLIVEIRA (Nito Pereiro-Oliveira) – SANDRA PÉREZ KRYSIAK (Sandra Krysiak) – JUAN FRANCISCO PÉREZ ROSAS HIDALGO – JOSÉ PABLO PUENTE JEREZ (Puente Jerez) – PURA RAMOS CALDERÓN – JORGE RODRÍGUEZ FERNÁNDEZ (Jorge Yunta) – MANOLO ROMERO TOLEDANO – FELIPE SAN PEDRO – MARIA DOLORES SANTOS CASTILLO (Lola Santos) – LIKA SHKHVATSABAIA – MARÍA NIEVES SOSTRES FRANCAS (Minu Sostres) – BLANCA TAMAMES YRAOLA – JOSÉ VALLADARES MORENO – ILUMINADA VINUESA CORTAZAR (Ilumín Cortázar) – ANA G.WESTLEY BENSON

 

86 Fall Room

Spanish Association of Painters and Sculptors

From October 31 to November 24, 2019

Opening and awards ceremony: Thursday, November 7, 2019, 7 p.m.

Cows House

Good retirement park

Pº of Colombia, 1

28009 Madrid

From Monday to Sunday, from 10 a.m. to 9 p.m.

Metro: Retreat (Line 2)

Bus: 2, 20, 28

BICIMAD: Station 102 (C / Alcalá, 95) and Station 60 (Plza. Independencia, 6)